Dedale Studio

Backdate- Solution to Hydraulic problems

2008-04-21T12:33:00.004-05:00

I tried vegetable oil, seemed to work great , pulling back as well. But 6 hour after the line, the plunger, seized, not able to push the plunger in. I tried other liquids, motor oil, yet right from the start the line does not move. Solution was to get clear elastics to help with the pull back of the plunger, seems to work great. Yet more pressure retained in systen because elesatic working against the other end, so manifold having some issues with power and pushing at higher pressure, but still works.

Projection

2008-04-21T11:56:00.003-05:00

Proof of Concept seems to be working okay, have been tweaking the manifold and the track/ trains. Not sure how long it will run before a train derails. The projections in the room are starting to get interesting, perhaps we can have a combination of project projections on the east wall for exhibition.

Review Notes

2008-04-21T11:55:00.004-05:00

Here are the minutes:

- Study of the uncanny-ness… Exploring the above and below
- “Fluid” network – fluid of the technology

Comments

What is your idea of the uncanny?
- unhomely, disconnection with what you think something should do… it is not real (automata) – notion of devices behaving on their own.
- Fearful response, something that you think should not happen.
- Pleasure principal – we love to be scared

Amazing thing in itself – standing in as a representation it is unclear. What would these things be?

- Play off of public / private – lower surfaces as a more private nature.

What surface are you referring to? Grade?

- Model suspended at eye level – ground plane
-

Is the position literally there? As in underground?

Can you go down there?

- Not necessarily literally 30 m underground – but you can build lower.
- Not intended just for hobos
- Exploration of the unknown world

Nat

Would be very helpful to be specific about what things really are.
Pleasure of the infrastructure... Inputs are very simple – trains are going by. Meaning of the thing is basically a train going by tells people a train is going by. The complexity is the articulation of what is happening underground. Pleasure in trying to understand infrastructure that is unclear about what it is. Very helpful to start to say very practically, how much of this can I get in contact with, how do I get in contact with it? Hiding behind the abstract / figurative. Define the spaces in terms of reality. What are the surfaces? Spaces lead to other spaces? Describe what it is. How do I engage with it?

Rob

Got caught in the “unconventional”. Totally seduced by it…
Not working as well as it should.
Do not see the connection between the hobo culture and the model. Not convinced about the representation of the thing.
For me I would flip the thing on its head and have the whole piece as some kind of installation in the air.
Why did you go underground?
Why does the hydraulics say “underground” to you. – Idea of what might be at the site. How we dream into the ground.

“Stop Market Planetarium” – Danish artists ** Example.
- Could not read the thing literally, but you were aware of a world.

Another pleasure in the specificity of the translations – how the passing of the train is understood by each one, individually – different trains, sorts of trains, triggering different meanings. Is there a sensitivity to certain conductors that might suggest that they would be more welcoming to hobos, etc…

Rob – Still unsure why it is underground. I want to enjoy the thing not only as a model, but as a real thing. Idea of the uncanny is the least convincing aspect.

Patrick: It is a speculation – It is a possibility. Parallel would be the want to travel into the subway tunnel just to see what is there. Could just say “okay there is infrastructure” but really it is about speculating beyond what is underground. Dream of an imaginary infrastructure. An imagined world.

Absolutely need a section of what is really there. Draw in the piles, etc… How I would come across this space.

Early aspect of reconnecting the two sides of the city that are divided by the trains. Opportunity to address this through cross-section.

Reflection:

My presentation was good for the most part, i recognize my presentation of the work was poor, repetition and generalities became an issue. I agree with all the comments, and will be addressing these issues in the portfolio through the drawings. My regret was to get hung up on the uncanny in my presentation, the work is involved within the uncanny, but my work was more about exploration into abandon sites , finding a potential to bridge the neighborhood that was once divided. My focus for my porfolio will be to address these main issues.

syringes- real hydraulics?

2008-04-15T05:12:00.003-05:00

Hydraulics (syringes) getting air in system, and not able to pull back. will try oil, or other fluid. if that does not work will fake it coming the other way, string or something to pull it back.

Started populated the underworld with wire mechanicsms, need some more on top, and to fill with network of tubes.

Here are some pics

Hydraulic network

2008-04-10T14:56:00.003-05:00

Current Progress

2008-04-08T22:43:00.004-05:00

Currently working on the underworld. The strategy is to create a network of hydraulic lines throughout the site. Extensions have been fabricated, and slowly are being assembled to support the network and a series of manifolds that will operate the hydraulics. The intersections of the lines themselves, areas of collisions and grouping will be areas of focus for inhabitable space. The following sketch illustrates the idea of using the the lines to suggest a inhabitable space.

I plan on developing this imaginary, network of lines. My focus can then be on the intersections of this network to develop areas of inhabitable space. These spaces will incorporate syringe activated surfaces that will influence and manipulated these possible inhabitations. But my goal is to create a series of uncanny moments within the site based on hobo symbology.

My intent is to sketch sections as i develop these unknown worlds, its been hard for me to get started, so i have just gone right into the model,building the 3d form to get a better idea of what i am dealing with in section.

Hydraulic manifolds

2008-04-05T15:20:00.008-05:00

I was trying to figure out a way to activate the syringes that i will be using to represent a pneumatic hydraulic device. The idea i came up with uses a couple of motors and a gear system to move the plunger of the syringe up and down, activating the syringe on the other line. The intent originally was to create valves, which can be done for technologies proof of concept, but i decided to simplify by creating separate arrays of syringes within a manifold, where each array is activated separately. Here is a sketch showing such an array:

The strategy is to rig up the structure for the manifolds, and get the hydraulic network up, and then i will focus on some of the technical aspects of operating on it. If the motor, gear thing does not work, i might have to use muscle wire, or a servo motor.

Design Schematic in progress

2008-04-03T15:53:00.006-05:00

Here are some sketches of my design intent. Exploring the relationship between architectural space and the manipulation of a fluid network, the underworld will explore the use of cells activated by syringes. Each cell will explore how space can transform through a series of movements within a structured assembly. For example some cells will consist of a series of enclosures that will respond to the switching of the train. As the train hits a contact line or grid, the space's dimensions will transform. These cells will act as a starting point, and as the cell evolves, in response to hobo symbols and train behavior, the connection between these cells well evolve as well. The syringe tubes and the fluid network will also become a structure component of architectural space.

As for the above world, the intent is to expand on a network of switches and contacts. The trains will extend upwards, and will come into contacts with a shifting conductive canopy. The canopy as shown in the schematic will evolve into to something much more, creating an invisible network. The main material will be mono filament, with select areas composed of thin wire. The canopy will move horizontally through the manipulation of tension straps to the ground plane, and will move vertically through the up/down movement of select posts, through the syringe mechanism. I wanted to explore the shifting of surfaces and orientation of planes in relation to the uncanny network created by the train.

I am currently working on sections through these spaces, to elaborate on some of the spaces created by this network.

Gear Ratios

2008-04-01T14:10:00.003-05:00

The whole motor torque issue is still a problem. I didn't want to have to use a system of gears but it seems like the logical choice, and solution for remedying the following: motors need less voltage because less work, less spin outs, and the trains will run slower. This is actually a good thing considering the exposure or contact to the switch lines is dramatically reduced with the present trains. Hopefully the use of three gears, 9 teeth on the motor and next gear, and the last one in the series, attached to the wheel will be 18 teeth. The 2 to 1 ratio should increase the torque dramatically compared to the 1 to 2 ratio before.

Grounding

2008-03-31T16:21:00.003-05:00

Lately i have been having some difficulty with the train, in particular the gears getting stuck, the current not getting to the motor, the wheels slipping and the motor torque. Fabricating the trains has been tricky, because of the necessity for accuracy, a lot more than the typical architectural world. But anyways here are my solutions:

Motor will have to remain the same, but a second motor will be added to the chassis on a few trains, to see if it works, and it add a variety to the bunch. I thought i could remedy the slipping wheels, with pieces of plastic intended to wrap the wheels, but the size is wrong. Unfortunately can't find the right size anymore. But if i use either wrapped electricians tape, or epoxy on a thin rubber band, that should provide adequate traction. In regards to the power to the motor, connecting to the rail is the issue. I need to redo the grounding strip and added another strip that connects to the side rail. With the use of copper wrapped in a spool, a spring like surface is created, allowing some inconsistency with the track.

I have tried this with one train, and it seems to be working. With the Arduino hooked up, it works well. Another thing i noticed was the motor is getting really hot. The voltage is to high, so i might just reduce the voltage through resistors

Pneumatics Studio Application

2008-03-31T13:25:00.008-05:00

Evan and i discovered the use of syringes as a device that mimics hydraulic, pneumatic application within our studio project. The assembly is quite simple, 1/4 inch tube just fits onto the end of a oral syringe nozzle. The manipulation of the device will be addressed through exploration in valves, electro mechanical or manual. The use of different syringes also explores the use of minimal push distance on one end to result in maximum extension on the other end: playing with the multiplication of force through the different syringe diameters.

Here are some other examples of pneumatic application:

Pneumatics technology

2008-03-27T20:02:00.003-05:00

Abstract:

The following technical study looks into the use of pneumatic devices: exploring a method of physical movement within our architectural studio application. Fluids are a malleable substance that can be controlled: used to direct movement and force. Our interest lies in the direction and redirection of fluids, in this instance air: using compressed air to actuate a device. Research includes multiplication factors and pneumatic principles: to serve as a guide in the extension and contraction of a piston in a linear direction. Further exploration, and research includes the manipulation of this pressurized system, specifically the control and switching of the airflow and speed. Our research also includes a demonstration model, where further exploration into switching, through mechanical, pinch, and electrical valves can be pursued later.

Our intent is to develop a proof of concept in the form of a lever mechanism that will be actuated by a pneumatic cylinder. One such device will be a folding stair: exploring the use of ‘architectural switches’ through the activation of electrical / pneumatic means. Redirection of a fluid becomes the uncanny entity within the architectural studio exploration. The second device, a pneumatically actuated drawbridge, similarly explores the notion of an architectural switch in that a door opening or closing causes the bridge to unfold in front of the user allowing them to enter into a building.

Mechanical switches

2008-03-26T15:37:00.004-05:00

Switching has changed a bit, here is the latest schematic. Tilt switches are being used at the top of the posts. Also the posts have been simplified. I didn't want the focus to be this articulated posts, but more about the articulation of the space above and below.

hydraulic/ pneumatics research

2008-03-23T19:38:00.007-05:00

Device to spray water
Bent Siphon

Here is some preliminary research for the hydraulics/ pneumatics applications. Evan and i came across the treatise on pneumatics bu Hero of Alexandria and some of the following devices that explore the principles behind it. The vacuum becomes the main principle in the manipulation of the fluid.

Symbols of Automata Behavior

2008-03-21T14:34:00.002-05:00

Hobo Signs incorporated into behavior of the train Automata

This is the Place

2008-03-20T11:09:00.005-05:00

Here is a sketch of a beginning to the space below. The hobo symbol is used as a guide for spatial structuring, with train activated movement through the 'walls' . The intent is to repeat the rib like structure to create a cavity, and vary its height , perhaps extending it above the train plane to create a continuous space above and below? I have also started to create connection fitting to the bottom of the platform structure to allow extension below. I hope to have some extension done by the end of day, to allow for a base to build off from. Next laser cut job will be stairs and some other kind of transportation space method/ corridor or whatever.

Lever posts

2008-03-18T20:37:00.006-05:00

I have been playing around with contact post for the trains to interact with. With overhead contacts in mind, i am also interested in using contact points mid height of the posts. The lever started to emerge as a mechanism that would respond to the switch: it may be a movement of the post itself or changing space below. The lever is just a start to attempt to transfer the movement of a hydraulic piston into motion of a lever.

Automata

2008-03-17T22:59:00.007-05:00

The train is starting to change into something different. With the chassis staying the same, the rest of the frame is either being removed or replaced with Automata mechanisms. The trains are working, and the contact posts are starting to emerge. I am just currently drawing out the mechanisms that will respond to the switching of the trains and address issues of space above and below the train plane.

Switch contacts

2008-03-15T17:29:00.007-05:00

Here are some schematic drawings and sketches of the overhead contact posts for the extensions off of the train to brush against. The overhead post has been designed in a way to allow modification for a moving lever within its assembly, perhaps activated by a hydraulic cylinder.

Autonomous switches

2008-03-14T02:07:00.005-05:00

The trains are starting to progress, a few more mutations are needed for them to be just right. I am currently drawing out contact points for the structure to meet with the extensions off of these trains. One contact spins within the frame. This was to allow a train to pass through the narrow corridor but still have the capability of extending outwards. When the arm hits a adjacent structure, it will just spin inwards and maybe to the other side. A spring loaded bumper has been introduced to allow for train to train collisions. The arm extensions have been designed so they can be fitted on almost any element of the frame. The intent is to have a series of autonomous devices move along the tracks, and trigger contact switches which will activate moving devices above and below.

A couple issues i have been running into:
1) Acrylic is not forgiving, easily cracks when joints are tight, and tolerances needs to be tighter.
2)Grounding strip catches onto the rail line, needs to be smoothed out on the bottom.
3)Trains still need to be fine tuned and tweaked to be more consistent in movement.
4)Wheels spinning out, need to get tires for wheels attached to gear and motor, or use a rubber gasket.

I came across this video clip of the mail bag retrieval of the trains.

Spatial associations towards a program

2008-03-13T15:06:00.011-05:00

Here are some of the symbols i chose for program exploration. The intent is to analyze each symbol through word association and drawing of each spatial quality.

How do you define 'you can camp here' spatially. What actions and reactions are associated with that statement? Exemplifies nomadic lifestyle of Hobo, free of commitment to a place or thing: unsure of his/her exact destination from day to day. For many (but not all), Point Douglas is a temporary inhabitation, until something better comes along.

Action- an invitation to inhabit, acceptance, safe, someones experience confirms inhabitation, lent out space

Reaction- settlement, rest and relax, feelings of relief, temporary use

Spatial considerations - temporal inhabitation , the spatial qualities of the symbol signify a semi enclosed space, protected, open to public
It makes me wonder why an r is used to signify a place for healing. The symbol seems to portray some kind of protection or shelter. But why the r, unless it isn't a r. Obvious reaction to this symbol is healing, rejuvenation. A act of kindness and compassion from others, something that exists within the Point Douglas community.

I like this one. Its like some guy met a lady with a house full of cats. The cat lady signifies another aspect of acceptance within the hobo culture which seems to be a big part of there survival. Hobo's survive off of the kindness of strangers. There are actions of invitation, approachability, and security associated with these symbol. Space would be open to strangers, calm and comforting.

Obviously danger and caution are affiliated with this one. The image reminds me of a crazy man waving a gun in the air. Avoidance and fear could be a reaction to this space. Maybe its about perception as well, the man appear dangerous, just like parts of Point Douglas does, but when you get to know them they are harmless. Ambiguous spaces that are changing location.
If there were any rich people in Point Douglas they would probably live on the north end. What is that symbol saying, free handouts, possible money to be had or taken. It almost feels as though this symbol alludes to the survival instinct, if the opportunity arises then take it: take advantage of wealthy people. But what would this space be like, always changing to avoid having to give handouts, or perched up on a isolated, high location, hard to approach by others.
What is this place? Is this our final destination? Or is it referring to this place being the spot for everything a Hobo would need. Perhaps its a meeting point, a place for communal activity. The site is the place, or at least once once in the context of country trade, and city immigration. How does the site become the place again?
Danger , Danger, Hobos might be accused for wrong doing of someone else. Avoiding the space seems like the typical response, or caution and temporary use of the place. If stranger not welcome, then is this place safe for people within that community already. Perhaps a scapegoat is sought after. What makes this place safe for residents? Is it knowledge, proximity to certain elements involved? This symbol is quite similar to other warning signs, with a Criss-cross pattern, resembling a fence keeping someone out.

Doubtful of what. Perhaps this is suppose to be used with a another symbol. Doubt is always a troubling feeling, especially when you are in unfamiliar place. The element of surprise could arise. The existence of resources for the Hobo not certain in this location. The space could be ambiguous, and uninviting. Does not display signs of benefit for the hobo. What does that mean if a a place is doubtful, do we just avoid it in fear of wasting resources to inquire and experience the unknown. Point Douglas is doubtful to the outsider, not sure if its worth getting involved. How do you make something less doubtful?
Available communication source, other than the symbols. Maybe this refers to ties somewhere else: wanting to call a loved one. This space could signify a connection to other spaces, and ties within other areas. Seems like an integral part of the ecology, for the hobo, because of the use of communication for their livelihood. The duck image is interesting, maybe an expression of 'quack quack quack' is to resemble someone talking on the phone for a long time.
A strong sign, signifies immediate action from the viewer. It reminds me of some Pirate's hook from their hand, yelling halt: like someone has trespassed. If you go further you could be in danger. Space may be fenced of but can still enter into its interior but with risk.
Signify silence or use of clean language. Is there a tendency for Hobos to speak with great vulgarity? The logic behind the symbol i am not sure about? Is it suppose to resemble a kite, the presence of kids. Or maybe just don't complain and you will be rewarded.

I came across this pic of a hobo sign with symbols:

Train switching

2008-03-13T10:18:00.006-05:00

The train is becoming transparent

2008-03-12T22:19:00.004-05:00

I am currently working on building the new frames for the train cars. The use of acrylic is proving to be a better look and functionally better for the chassis. I have created extensions and a circular fitting that will allow the train to extend out from a variety of points along the frame. I wanted to leave some flexibility in the structure so i can fine tune my needs for the contact switching.

Strategy for developing the space above and below

2008-03-10T13:06:00.005-05:00

The symbols within the hobo 'code' are strong indications of behavior within the hobo culture. But what if i start analyzing these symbols as actions and reactions within a continuous narrative. Take for example the symbol for 'a kind lady lives here', displayed as an image of a cat. Perhaps there was an expereince with a cat lady who was kind, and that cat image became the distinguishing characteristic. I think of a kind lady as someone who is safe, someone who can offer help and resources, an inward action seems apparent. The reaction of the Hobo, and the nature of using this symbols, would suggest an attraction to this location, a favorable destination, a retreat. The symbol also speaks to the narrative of the Hobo, and could be used to create my own narrative within the site. Question of where my one finds a kind lady on the site, and is there any relation to her location in respect to the context of the neighbourhood. For instance there are many pockets of kind lady's within Point Douglas area. Although there is a dangerous stereotype for the area, there are safe havens within. And physically speaking, the location of such a lady would probably be in the north, a denser residential neighbourhood. Perhaps this context can help with a general location and relationship within the specific site of have chosen. There is the possibility that a discovery of actually hobo symbols in Winnipeg could guide me as well.

As i go through this process , picking and anaylzing relevant symbols to the site, a program can emerge. My intent is to go futher in symbols anaylsis, with respect to the spatial properties of these symbols and the actions they incur. Take for example the kind lady would represent a area that is inviting, and open to visitors, easy to get too, and spatially comforting. This strategy can serve as a guide to creating these separate spaces throughout the project.

The train will become a device which extends and collides its structure to contact the structure around it. The movement will create a variety of contacts that will activate moving devices above and below. The plan is that the relationship between these new spaces, created by the symbols, will be manipulated by the activation of moving forces. The intent is to play within these spaces, where the train become autonomous devices that become the puppet master for the architectural programme above and below.

The box car

2008-03-10T00:08:00.011-05:00

I finally got the train to work along the track. Some issues still remain, the weight of the car is a bit heavy for the motor. I am looking into stronger motors, and modifying the train car assembly to be lighter . The train is just a box car right now, but serves as a starting point for the train to adapt to the new characteristics of the voids above and below. As switching devices are added to the train, the movement of those switches and the interaction with the model will be a guide for the trains modifications.

The substrate will be a continual process, as pieces are cut, i will add as necessary. My intent is to start playing with the completed spaces and work my way towards incomplete sections.

Cracking the hobo code

2008-03-07T13:08:00.004-06:00

Came across a book, 'Symbol source book' by Dreyfus, which illustrates some of the symbols used by hobos to communicate with each other. I wonder if there is a syntax involved in combining different symbols. Or is there a guideline to where these symbols get displayed, perhaps high traffic areas or points of conversion and switching within the railway track system. perhaps there is a connection with the symbol locations and the location of actual switch, drop/ pick up points along the railway infrastructure. I see the symbols as an opportunity to develop a program: a narrative to be tapped into , they may be real or fictitious. The simplicity in the 'pictorial language' of the drifter, one who is free to go where they want but is still bound by the confines of the infrastructure available to them.

The rhythm of the train

2008-03-07T00:08:00.007-06:00

Lately i have been working on manufacturing generic train cars that will run along the tracks. The intent is to have fours independent cars that will move in a rhythmic back and forth motion. Perhaps the Arduino will be used first, but eventually a series of switches within the tracks and the cars will redirect and change the rhythm. I created a quick mock up of the train chassis, and will be fabricating more detailed / designed frame soon. Here are some pics and drawings of what i have fabricated so far.

Project update

2008-03-01T10:51:00.003-06:00

Abandoned Platform Structure of the Canadian Pacific Railway:
A Study into our relationship with the train and its affect on the adjacent urban environment

Abstract:

Recap of last semester, my project looked at the issues of interface and intelligence through the exploration of automata. Further exploration involved the fabrication of a device that utilizes tilt switches to manipulate the electric current within: creating an instance of the uncanny.

My current exploration is researching the abandoned platforms behind the pre-world war CPR station in Point Douglas. Through a suspended, puppet like, substrate (an abstraction of the platform in question) I have been exploring the act of switching, between the railway and the spaces above and below. Presently my research is looking into the behavior of the train and strategies on how to interact with it. I have explored the culture of the hobos, in search of an understanding of their behavior with the train. Although people use the train once in a while, new technologies have made its human transport less desirable. The hobo has continued to use this network, although with a risk hoping on and off, exemplifies a longstanding relationship with the train.

The behavior of the train resembles a network of electricity: bound by its conduit (rail track) and manipulated by a series of switches. The movement of this “fluid” is manipulated, into certain directions and resulting in a variety of destinations. The hobo lives a life of freedom, but lacks the control of his/ her destination on the train. The intent of this project is to explore the possibility that our relationship to the train can become more intimate, more regular. Through further research in the culture and language of the hobo, and the introduction of architectural switches within the platform space that respond to the train, I am interested in strategies to bridge the gap created by the phenomenon of the train.

Model Progression

2008-02-28T08:24:00.002-06:00

Interlocking- Switching the train

2008-02-25T23:57:00.006-06:00

The train switching component is analogous to the tilt switching within my earlier device. The switching of current, to direct it to certain motors, to create a combination of movements that appear life like. The train switching speaks about interface as well. The trains destination is altered by an independent operator and computer now a days. Destination is altered through the network of switching, altering the position and side of the trains within the site as well. The act of switching could act as a structure for the space, responding to the behavior of the train. Where the device was a catalyst for pleasure fear in the audience, the structure becomes a response to the behavior of the train.

Trip to the hobby store

2008-02-23T15:55:00.007-06:00

Before going back to studio, i took another visit to Toad Hall, a toy store in the exchange district that specializes in train hobby supplies. I spoke with Barry there about the use of O scale and how the mechanism with the engine works. Apparently the o track , using three rails vs the modern 2, was a creation in the earlier 1900's and has never died since. The use of three rails facilitated the power supplies used back then, and prevented short circuits when the track would loop onto itself. The middle rail acts as the positive of the electric circuit. Apparently the technology worked back then but the cars and rails were never changed for modern times. Barry showed me a old catalog of the lionel trains and it has these amazing drawings of the mechanics and assembly of these hobby trains. I figure i could use that as a starting point to explore my own creation of a train assembly, that interacts with the site.

I came across these part diagrams of the motors and wiring of the locomotives:
I am fascinated with a device they call an e-unit, which acts as a switch for reversing the motor direction. Generally its a solenoid activated switch, with a drum, which rotates when pushed by the solenoid pin, to switch an h bridge circuit. If only i knew of this 5 months ago. The unique thing about the o scale and the use of a third, middle rail, is the act of switching from forward to neutral to reverse, a three step process. Now a days the circuit boards take care of it, but the o scale still embraces this old technology. A physical switch rather than a digital one. Here are some pics

train enclosures

2008-02-21T14:15:00.005-06:00

I came across this train designs from a bartlett project in 2005. An interesting treatment of transportation structures as architecture. Here is a brief of the project:

Ordinary
1. According to established order; methodical; settled; regular.
2. Common; customary; usual.
3. Of common rank, quality, or ability; not distinguished by superior excellence or beauty; hence, not distinguished in any way; commonplace; inferior; of little merit.

Extraordinary
1. Beyond or out of the common order or method; not usual, customary, or regular.
2. Exceeding the common degree, measure, or condition; hence, remarkable; uncommon; rare; wonderful.

An interrogation of the distinction between ‘ordinary’ and ‘extraordinary’ will form the central theme of the unit’s work this year.

Beginning with an exploration of the apparently dualistic nature of these terms in relation to one or more conditions, it is proposed to identify the boundaries that separate and define them and expose the territory which lies in-between. Possible strategies for achieving this may include but not be limited to juxtaposition, hybridisation, deformation, exaggeration and subversion. The resulting architecture will locate the extraordinary within the ordinary and the ordinary within the extraordinary.

The unit will encourage a plurality of different responses to the programme, both in the selection of initial conditions and the strategies adopted.
As part of its investigations, the unit will travel to either St. Petersburg or Venice.

This other image was within the same project, but reminded me of an Automata. The house treated as a clockwork device that responds to a cranking device controlled externally. This puppet analogy and the Automata similarities to my project seem like an interesting direction to pursue. The structure, suspended by strings like a marionette, is manipulated by the the train: the train becomes the puppet master but is also influenced by its own actions within the scheme.

abandon architecture precedents

2008-02-20T22:21:00.005-06:00

The act of abandoning seems fitting to the act of the hobo: giving up control , not knowing his/her destination. Destination is an important aspect of this project. The destination of the current in strange automata can be controlled or appear to be controlled to result in an uncanny, life like device. The train, a network of infrastructure, behaves like electrical current, restricted to its conduit ( the railway) and controlled by a system of switches. If i can tap into this network of intelligence, i can understand the train much better. The interface between people and the train needs to be revitalized. The hobo is an example of someone who still interfacing with the train on a more intimate level. Though it may be dangerous, the hobo still survives within the trains moving space. The abandoned platform is presently used by homeless people, someone has made use of this forgotten space. Studying the behaviors of them and their traces could be informative to interfacing with the train.

The great divide

2008-02-20T22:14:00.006-06:00

Lately, i have been working on the 'sky' of the model, drawing out the site, and starting to explore issues within the site: in search of some inspiration for further progression. The north side vs the south side of the platforms contrast: the north side seems accessible over and under, a bridge structure, were the south side is a mere extension of the cpr station building. The play between these two spaces could happen within the void in between. I noticed from old pics of the site that the south side is buried, the only access from within the platform of the Aboriginal building. Could be an interesting field trip, any one interested?

Model progress

2008-02-13T16:19:00.003-06:00

The intent is to use fishing line to suspend the model, which will fall down from specific points on a drawing that will be suspended from the frame already in place. The drawing acts as a drawing board for ideas and placement of design development. The idea is that when a important element is suspended there will be a reference point on the reflected site plan. Some discussion with Patrick also alluded to the movement of the train on the line and perhaps the element of switching: either the train lines or the car themselves. The model starts to look at the site in a different respect, with the viewer observing under and over the structure. Suspension for the tracks is no longer the ground, but suspended from the sky. The intent is to explore this hidden infrastructure of the city.

The platform structure in progress

2008-02-12T22:09:00.005-06:00

I have done some cad drawings,for laser cutting, of the cross section pieces to support the platform. I have decided to simplify the structure , while still taking into account the real thickness of the platform versus the thickness of the tracks. There are 16 cross pieces that make up the underground structure below: between the extents of the middle void in plan. The intent is to have doweling already inserted in the track structure and to be used like a book shelf pin to support the cross members. The cross members are 3 layers, the middle layer with slits to accommodate the doweling and to suspend of the tracks. The middle layer also has slits at the bottom of columns and top of structure to allow a friction fit for 1/8 inch screw. To help with further development downward and to fasten the platform layer onto the model. I am still figuring out a universal connection for wall inserts within the interior.

Building a frame for suspension

2008-02-12T02:01:00.003-06:00

Here are some pics of the base of the model so far. I am trying to build a frame that will take the weight of this huge model. I have managed to get some hangers up on the suspended beam, just a plain 2 x4, still needs to be painted. I am thinking white. The design intent of the hanger is to support a grid that will hold a reflected site plan above the actually model. The plan can be used for referencing points in space along the model. Another concern of mine is the hooks i am anchored into within the ceiling. I noticed that the structure can take my wait but the thin wire starts to cut those hooks in the ceiling. I have secured safety cables to the nearest support and if something fails, because the model could be about 75 pounds, then the safety cables will be a fail safe.

I am in the process of sanding down the tracks, to get rid of any glue and ensure a smooth surface for the actual train rails. I was thinking of painting the tracks , Gregory suggested bright gloss red. I like it. I gives a clear ground reference to the model.

Second Skin Architecture

2008-02-11T11:48:00.000-06:00

I came across this project through Art Brain:

Second Skin is a research project that suggests an architecture that emerges from the person. It is, however, hard to explain in a few words a project as extensive, both in time and implications, as is Second Skin, especially because it involves a new approach to architecture through psychology, which means trying to establish a new vision of a discipline that has existed through out history using another one which is relatively young...

Second Skin’s methodology begins with an inductive audio, where the in-trance volunteer elaborates a drawing of the visited space – his/her primal refuge-, followed by an interview. This information is translated into digital models that allowing us to graph the relationships between the different houses. The resulting houses may be grouped into families according to their formal characteristics, creating the need to generate a process which would allow us to store and work with the information. With the support of a group in the ITESM Campus Querétaro, we then developed a software that works following a genetic model. In principle, the generic algorithm orders the lines of the houses and generates a morphing. The digitalized houses are fed to the software according to their families, separating their elements and assigning them dominant or recessive values. During the execution, the program randomly selects pairs of houses and performs the morphing. This process is repeated in four generations, obtaining in as a result of the last generation a collective house, which varies every time that the program is ran. Being a summary of spatial qualities, this collective house, deliberately, is not dictatorial with regards to form.

Interior site photos

2008-02-08T12:19:00.001-06:00

Some interesting shots of the spaces, that used to be a station 'midway' for train passengers. I will try to get more soon.

Interactive ecology

2008-02-07T22:02:00.002-06:00

Was viewing Ruari's Interactive Architecture site, came across a project by Michael Wihart about small devices made of nanotechnolgy and biotechnology elements, used to create space and are able to reconfigure over time.

"The decadence and redundancy of the integrity of architectural thinking needs to be constantly questioned in order to reveal if architecture can be a source for the sentimental titillation. The embarrassing meanders of architecture into the challenge of the feasibility must be extended into the poetry of spatial mediation. the process of designing can no longer be solely functional and operational. The creation of an architecture which is embedded in the mythical knowledge of the future enables us to extend the sentiment of in-habitation into the realm of co-existence.”

The railway substrate

2008-02-05T17:41:00.000-06:00

Preliminary design intended that the the rail lines would be paired together structurally to simplify the substrate. But after i started drawing more and more, i felt the need for the rail lines to be individualized. The rail lines should appear as a continuous mass through the site, but also retain structural integrity to branch of, for model development.

The issue of scale, and in relation to train scale also became an issue. Apparently 0 scale , which is 1:48 , is very hard to come by, especially in Winnipeg. Getting tracks for the model might be difficult, but i have set up the tracks beds, with a score line, to allow a rail to be inlaid after. I was hoping to create a set of box cars with acrylic, to help study the moving voids within these cars and there relationship to the spaces within the site.

Substrate

2008-02-04T16:22:00.000-06:00

After discussions with class review today, now have a clearer direction. The intention is to create a base structure with the railway tracks and build from that: later adding the adjacent buildings. My intention is to layer the model along the envelope of spaces and in relation to the ground plane. The model will be suspended. The intent to explore the subterranean and terranean voids with the corridor of the train lines. More importantly, the potential to create a substrate that explores the relationship between the upper train movement and the lower spaces. When the train cars move along the ground plane , there is a manipulation of space below. Its a similar analogy to the ego/ id relationship within my device, speaking to the double relationship within the site. A study into the interface of the site. There is also potential to explore in more detail the train cars as moving voids, that are inhabited by the 'Hobo'.

Proposal for the model

2008-02-03T09:39:00.000-06:00

Here are some sketches illustrating some of thoughts towards the substrate. the main intent is to explore the voids, the spaces within the site. I wanted to retain the layered approach to the site and the section itself, like the stratigraphy of an archaeological dig. The model is intended to be suspended and emphasize cross section characteristics of the site. The intent is to be able to view the lower and upper voids within the site, studying the relationship between the two. I suggest using MDF for the structural elements, and envelope, skin characteristics in an acrylic plastic.

Train Hopping

2008-01-28T17:20:00.000-06:00

The Hobo, another element involved within the railway culture. Train hopping , i discovered, is still being practiced within North America. It was a widely used method of transport during the depression and has survived ever since. Some of the travel logs of these individuals, speaks about a risky and sometimes fatal practice of travel. Some pics illustrate the risk involved. The life of a hobo is interesting because it illustrates the character and behaviour of the train itself. It acts like an organism, controlled by its infrastructure, and a great force when confronted with other vehicles or elements. The act of individuals trying to coexist with this organism, speaks alot about my behaviour, and how i approached the site. It speaks more about interface, in particular the train and the pedestrian.

Traces of the Existing Structure

2008-01-25T14:55:00.001-06:00

After exploring the north facing wall of the platforms, i discovered the presence of multiple entries, etc. Along maple street is a sliding door, and west of that is a door with no parking signs on either side. The elements illustrate some circulation of the space, suggesting continuous corridors along the street, as if it were never cut off by the railway. I took some more pictures into the spaces under the platform, and discover more signs of life. One of the rooms has tagging on the walls, and in an adjacent room there exists some clothing. Just like Hobo's use the train as refuge, this "underground space" is also a refuge for some homeless. I am just curious in how they got into the space.

Moving railways in Winnipeg

2008-01-23T12:11:00.000-06:00

I came across this article from the CBC regarding the current CPR lines through northern downtown area. There are some speculation that the area maybe reconfigured into green space and condos, not necessarily the best solution. They assume that the current rail lines would relocate but that seems a lot of expense and energy when we should be trying to configure the space to coexist with these still functional railways.

I then started looking at what perhaps other cities have been doing to deal with the issue and i came across this design from Calgary by a architectural collaborative with Mark Boutin, here is an excerpt from Canadian Architect:

"This project is a design for the first of an envisioned series of international networked centres dedicated to fulfilling the United Nations mandate for international cooperation towards a healthy global community. Spearheaded by a society of scholars worldwide, the centres are conceived as forums for the discussion, debate, and dissemination of world affairs. The client's mandate was to create an architecture that symbolically and functionally evoked a bringing together of diverse people to share and celebrate their differences and similarities, aspiring to greater tolerance and understanding.

The 25,000-square-foot building melds visitor service and exhibition space with discussion and debate forums, lecture halls, curatorial areas, theatre, parking, and public event spaces. Retail spaces are also provided at ground and lower levels of the public plaza.

The site is a residual space presently occupied by a Canadian Pacific Rail line that divides the city of Calgary immediately south of downtown. Although functionally and symbolically connective at the national scale, locally the rail manifests a schism that cuts off one side of the city from the other. The site is currently surrounded by mid-rise and high-rise buildings..."

Interactive Architecture

2008-01-23T12:10:00.000-06:00

A couple days ago i was looking further into precedents for my project and came across this paper regarding the ecology of an interactive environment. The article made me start to think about the potential for an isolated site. Patrick and i had discussions about the potential for the device to respond to outside stimulus. I am interested in pursuing the possibility that the device can respond to the elements becoming an active participant of the ecology within it. More importantly the subtle noises, and minimal interaction within the site could create a interesting dialogue between nature and machine. The absence of life makes everything else within contrast that much more. There is always some kind of life within an area. The challenge is generating a space, like a virus that feeds of the existing ecology and brings a new life to it.

Site Selection

2008-01-17T20:55:00.001-06:00

After discussion with Patrick the following will be my focus for the next week:

Understanding of the site by understanding the railways, the culture behind, unfold the dialogue of the railway in Canada. The underground spaces below the platforms are still an interest for me, but perhaps speculating on how the space is formed could be interesting. When i visited the site today i noticed part of the wall enclosing that space is broken open, a potential for understanding what is in the space.

Perhaps there is a possibility to have differing spanning points, a series of spans, which change or switch like the synaptic behavior of the monster.

I need to understand the logic of the railway.

Winnipeg Railway

2008-01-15T18:28:00.000-06:00

Today I went exploring around the old Railway station on Higgins and Main. Now an Aboriginal resource centre, this building use to be a immigration point for the city and Canada. What interests me are the platforms behind the station and the corridors below where train passenger traffic once flourished. I Was able to get on the rail line and explore the spaces above the platform, and east of it where the Disraeli bridge spans. The building scheduled for demolition on Higgins could be a possible bridging, spanning point. Or perhaps the old CPR station could be a spanning point to a warehouse across the street. But i am not completely satisfied with the bridging point. I am still in search of bridging points or possibly other spanning areas. but the rail line , a once public area could prove to be beneficial.

Site Selection

2008-01-14T17:41:00.000-06:00

Behavior analysis formulated the following: The device responds to light and specifically movement. More importantly it is the disruption of that movement that stimulated the device. I see the device as parts of a 'living system' , the subconscious, instinctual drive as part of the device it self and the proscenium as another living system like muscular or breathing that naturally operated without direct stimulus from the outside world. The device interrupts that movement of the proscenium through the interaction the device has with environmental stimulus. The space created is related to the interface between man and machine seen through interruption in geometries and fluctuations in traces. Movement and indirect movement manipulates the space created by the device. Indirect vibration through tensile forces in the structure. There is definitely an element of the uncanny , and the subconscious of the device and the unconscious reaction from outside stimulus to the uncanny nature that are a big part of this. But also the progression of structure and the elements of span play another important role. Communication of movement into space and indirect movement into space.

Also scale seems to be a growing role in the project, as it has progressed the linear action has spread and the device growing.

After exploring the point Douglas area, i was drawn to abandoned sites and burnt down buildings, but the voids interested me more. For example the dead end created by the railway border, and i envision spanning the space between bordering building or structures. After discussion with Patrick, spanning the railway might be a consideration of a site. Existing CPR building and old platforms and tunnels that bridge this division between north and south point Douglas ope for opportunity. I need to find point of crossing, and explore the opportunities within that division.

In regards to systems , electrical and tensile structure are interests for me. Perhaps the tensile structure become electrical conduits for communication between the two, further exploring the double aspect of interface.

Abstract

2007-12-17T20:44:00.001-06:00

The project explores the world of the Automata, in particular 18th Century precedents and vivisections of found toys. Through the reverse engineering process, a focus in research emerged: the uncanny. My initial focus was on the movement of these Automata, and what was it about the actions of these somewhat aesthetically life like figures that evoke such a ‘pleasurable’ response from the public. For me it’s this uncanny movement of the automaton that responds to our psyche. Freud and Jentsch define the uncanny as a response to the unfamiliar, the ‘unhomely’, a fear of the unknown. Freud relates this human response to a human repression of familiar elements of our childhood that are now reintroduced out of context. A human response is seen in public reaction to Descartes’ mechanized doll of his late daughter, and the talking doll of Thomas Edison. The following project explores these issues of uncanny and artificial intelligence through the production of a ‘monster’.

The monster is a working model for acquiring random, self-motivated movement. Beginning with a collection of toys, the parts have been reduced to the simple gear and motor cases that will create their movement. Photovoltaic sensors are used to stimulate movement within each device, from its exterior environment. Interfacing becomes a lesson in switches, where my project focuses on the production of tilt switches to create a variety in movement. The switch becomes a synaptic charge within the beast, in the hopes of stimulating self-directed movement. Further development focuses on the creation of a proscenium for the device, too work towards allowing the ‘autistic child’ to interact more deeply with the inhabitants of its space. My interest lies in the uncanny response, and how this issue of interface can be applied to architectural form. I have chosen trace experiments and analysis as one way of exploring the relationship between beast, its stage and the site around it.

Review

2007-12-14T12:30:00.000-06:00

I received some really good feedback from the review. First was the discussion of how the device appears uncanny. There were suggestions that i should be using thermal sensors, instead of light sensors. The thermal sensor makes more sense for human detection. Ken Gregory recommended full use of the Arduino and to create pauses within the device to give the appearances of thought. I am not sure if i will abandon the switches just yet, but the pause i believe are crucial to the uncanny nature. The switches i believe are capable of pauses much more realistically than an Arduino. The randomness of the device has been a bit lost as i have pushed it further along, apparent in the proscenium. My interest lies in the uncanny, and its discussion about interface within architecture. I am currently reading The Architectural Uncanny: exploring the psychological reaction and relationship between occupant and space. Perhaps i can look into the relationship between the subconscious and the space we occupy, exploring in more depth about this duality, Cartesian dualism, and conflict between what Freud refers to as our repressed thoughts and our current situation.

More analysis of the movement, and the space it creates are my focus now: more importantly the relationship between the outside stimulus and the device tracing . The layer of interface between these two is what i want to understand more to develop how the structure can influence us.

Tracing movement

2007-12-14T12:17:00.000-06:00

When i started to trace the movement, some interesting things came up. When the device moves its creates a clean geometric pattern, sometimes broken up because of the stopping of the arms ( due to too much weight on the arms) . When the proscenium is moving, the traces become random and chaotic. Some of the photos turned out nice when the proscenium begins to move (not just along the linear direction of the suspension line) along the upper suspension lines. The patterning is still circular through space but not symmetrical or predicatable, which is interesting. Also the tension movement, the bounce due to the object's weight, shows shifts in the geometric patterning: revealing a response of the device's movement to the prosceniums tension.Further exploration needs to look into the human interaction with the trace movement.

Proscenium up and running

2007-12-14T12:05:00.000-06:00

The proscenium is now operational, but still a few glitches. Weight causes friction between the wood axles at each gear. When the pole is at 45 degree angle to the double suspension line above, friction between the bracket and pole slows and halts movement. Lubrication was a key to resolving some of those issues. The power, amperage, another issue, was resolved by wiring a separate power supply to each motor. In the future a more efficient gear system will probably help. I started to get the Arduino programmed and trying to figure out a way to reverse polarity on the motors through Arduino. I looked at using relays, using the Arduino to switch the polarity through a blink program. My decision to go this route instead of the switches is due to the nature of the tilt. I guess i could just abandon the floor device all together and use its inputs for the upper motors. I also used the extra tilt switch i had from before, located on the tail, to interrupt the device pulley along the suspension line, creating some pause input into the devices movement. Not only is the random important but the pause as well, something I noticed from earlier: I have been trying to replicate with switches all this time. The light sensors provide some interruption in movement, some pause, but its so direct that the uncanny gets lost.

Simplifying the proscenium

2007-12-09T23:13:00.000-06:00

After puting up two suspension lines to carry the main suspension line rod, i started to notice the littlest vibration carry through out the system. What was interesting was the movement of the vibration, you could see it carry back and forth from one suspension line to another through the movement of the suspension rod. Perhaps the feed back of the structure might not be from the device but surrounding movement in the building.

Here are some pics showing the device that will carry the suspension line and device. One thing i noticed was that when i used a battery vs the power source at 9 volts, the power source had better success. Perhaps half the problem with the lack of movement is not enough amperage. Now I just need to reconfigure the switching so there is more movement along the frame.

Building the suspension cable frame at first i was concerned with the bow on the rod after adding tension to the cable. I went and got a thicker rod, but still some bow. But i think no matter what i do, the tension will take over, so instead of fighting it, I decided to embrace it. The vibration on the tension cables may interupt the device's patterns.

The up and down movement is still to be worked out. The wench idea was thought of, but the motors are not powerful enough. My old idea of the scissor lift would work but it was quite cumbersome and bulky. I think focusing on what i have now is more important, the up and down can be added perhaps in a couple days to add another dimension to the patterning,

Simplifying the proscenium

2007-12-07T23:00:00.001-06:00

After cutting pieces for the upper mechanics of the proscenium i discovered some complications. It is a bit chunky and complex in some areas, so i decided to simplify. The suspension cable will consist of a rod with three cables in tension, and the pulley device will be repeated twice above to move the suspension frame side to side along perpendicular suspended cables. The up and down movement will be localized at the pulley device, below it in a wench like form. The overall result should be less weight and more refinement in the pieces.

Designing the Proscenium

2007-11-30T20:56:00.000-06:00

I have some ideas for how the proscenium structure will raise and lower, and turn. The major ideas involve a scissor lift design for vertical movement, using threaded rod and laser cut pieces. And the turning will be done with gears and a chain along a circular frame, in tension. The major part, the suspended cable will be a rectangular frame, with a cable from end to end. The tension of the cable will be counteracted by the pushing of the stud and end block together. The width of the frame will be strapped every 3' to prevent bowing into the cable.

In search for structure

2007-11-29T20:02:00.001-06:00

After speaking with Patrick, i have received some new inspiration. In my drawing i was starting to explore the tension within the device and how movement in the cable or the wires is influenced by the movement of these arms. Further exploration includes the possible movement of the device along the cable: with different geometries produced by the changes in height and location of the cable ends. But more important the change in time, through different speeds may produce some interesting results. The proscenium is to include a frame supporting a tight cable, structure above to support lighting and projection screens backdrops. Structural members can be manipulated to create variable conditions for the path of travel. I envision the frame can move up and down, each end independent through a gear/chain system. The side to side movement can be created by a similar system. Perhaps pulleys are the answer. I will have to look into it further tonight. The goal is to have some kind of apparatus to allow for multiple movements to photograph these geometries.

Drawing in Progress

2007-11-26T19:17:00.000-06:00

With the drawing I was trying to map the movement and start to illustrate the tensile forces of the cables and the device. I wanted to express the relationship between the shadow projections of the device and the monster's topographical motion related to its surrounding space. What is interesting is the geometric forms which begin to emerge within the mapping of movement, and the voids it creates.

Descartes reappears

2007-11-20T21:07:00.001-06:00

As i was writing my precise for theory class, i came across Descartes again. i had looked at him briefly for his companion doll, Francine, and its significance as a pleasure Automata. But Descartes mind/ body dualism brings me back to the simulation of life. I came across a J-store article By Sally Pryor, "Thinking of Oneself as a Computer". Her collection of articles expand a bit on this mind/ body dualism, where the body is something spatial and the mind something conceptual. It got me thinking generally about my device and it relationship to the people who walked by it and its site. It requires environmental stimulus to be alive. It is dependent on its site for stimulating life like like the people around it. So what does my thing do? It stimulates life around it. Is it a mirror, no not that sophisticated. It occupies space within a site and modifies the space it contains and evades by altering it movement, tilt switches, light sensor circuits. My device is also in tension. The suspended feature of this device creates a sensitivity that the switches will also pick up. Balance and weight become an issue. Even the structure supporting the suspended cable are important to how sensitive the structure will be to movement, feedback of movement, and like in the black box, exterior devices' movements.

So what is my device about. Presently i am still unsure about that question. This is what i have so far. The device is in some ways about Descartes and stimulating life. Its also about giving the circuit a face and making the circuit's uncanny nature come alive. Its purpose, don't know. My goal for it was to create a chaotic movement because of the interruption of its regular movement through a series of switches and other devices. A combination of simple gestures, maybe repetitive, which create an independent movement.

A Basis for Drawing

2007-11-19T16:46:00.001-06:00

After being introduced to Image J, some drawing possibilities became clear. These pics reveal some of the motion of the monster at an earlier stage. Still need to extract some images from video footage and then start mapping out movement from a similarly generated photo.

Drawing Movement

2007-11-17T21:55:00.000-06:00

In the search for different methods of drawing the behaviour of my monster, i looked up Evan's suggestion of Ruairi Glynn. I came across his work in "Interactive Architecture" titled 'Performative Ecologies' which explores how 'cheap and powerful responsive technologies, build an architecture capable of Interacting with rather than Reacting to, human and wider environmental activity'. Illuminated tubes, attached to interactive robots, are used to choregraph a space with the human activity around them. The movement of light is captured on still photography, similar to the trace photos i had done earlier. This seems like one appropriate way to record the monster behaviour.

Moving Forward

2007-11-13T15:14:00.001-06:00

The installation brought up a few concerns that need to be addressed. The rope pulley device was not functioning due to a few things: lack of balance, too much friction along rope itself and too much weight from device combined with a weak motor. I tried reduce the friction and got the device balanced but the motor still wasn't powerful enough. Another thing that has come up is the quickness of the switching in the circuit makes the change in the motor direction unnoticeable. Flower recommend perhaps using a capacitor to carry a charge to the motor so when the switch activates it, the motor keeps going even though another switch directs it another way. I envision the Arduino helping tremendously on this as well. A new strategy is to perhaps alter placement of switches and look back at some of the independent movement produced in the studio before.

Looking towards further development i thought i would explore the use of a three way switch, one which mimics the structure of the device and can be repeated to create a skin. The repetition of the switch can cause a series of connection that will always change depending on the movement of the skin.

Progress in the black box

2007-11-08T01:40:00.000-06:00

Today was another grueling day of suspending our machines and fixing problems. the room is starting to come together nicely. I am thinking of shadow projections for my device, perhaps onto another machine dependent on light for activation. All the wring on the device makes some interesting shadows, looks like veins or better yet nervous system strands. The device accentuates the circuit itself, making the essence of what made the turtle dance, come alive. My intentions are to layer the shadow projections with infrared traces of my devices movement, alike the lead movement done before. What is interesting is this detachment from the physical object , evidence or essence of an automonous being. A record of its movement perhaps can reveal a very autonomous object. Take the movement out of context and reintroduce it somewhere else, perhaps an uncanny object.

The voices on the bus go round and round..

2007-11-04T12:12:00.000-06:00

Well we finally made it here, it wasn't too bad until the 33rd hour, the last two hours were pretty tough. Lots of interesting characters on the bus, enough to fill volumes of psychology journals for years to come. One gentleman, who was sitting across from Ricardo and I, was talking in his sleep. Well actually when we woke him up, because he was to loud, he told us he was "praying to make the voices go away". Yeah because that makes me feel better. Here is some sound footage of what we could get of his rant, turn up volume.

Schematic

2007-11-02T15:24:00.000-05:00

The device will be suspended along a steel cable, shared with Shannon's device, and will move along the cable and the floor. A series of tilt switches have been installed along the device's movable parts to allow photo resistor stimulated motors to respond and react to its own kinetic motion. There are three, maybe more, sensors along the cables of the machine to pick up movement or light. Perhaps the motion and the switches themselves can be projected and altered through video.

Synaptic movement - Take 2

2007-10-31T14:46:00.000-05:00

Today's work focused on wiring the beast and fine tuning the sensors that will activate the devices. Here are some pics showing more of the progress.

Horizontal Movement

2007-10-30T21:44:00.001-05:00

The device can now move along a cable. This adds another element of motion to the device, and another switch possibly on the pulley. I hope to have a switch similar on the floor device at the pulley bracket. Ideally the torso device will move independently from the floor device, but some element will be adjoining the two devices that will twist, or distort as a result of these two devices.

The switches for me are a crucial part of the projection. I would like to either project the movement of these switches through shadow or video: emphasizing the relationship between the exposed circuit expressed through these switches and the responding motion from this monster.

The switches them selves could act as sound activators or light stimulator's that can connect this device to other potential neighbours.

Connections

2007-10-27T21:14:00.000-05:00

I modifed the circular switch, and added another tilt switch to the device arm. I discovered some interested movement between both devices using the two different switches i came up with. Because each switch controls a motor on the opposite device, sometimes there are moments that the range of movement will create 'dead spots in the switches: when the connecting cylinder or object is in between connecting nodes. At moments the devices create an interesting random motion, independent from the circuit boards and outside stimulus, this is beginning to continue for more extended periods of time. I think i will have less dead spots in movement when i add a third mechanism, the cable tow, allowing indirect stimulus between devices.

The right parts

2007-10-25T22:39:00.000-05:00

Most of the day was spent getting correct wire connections, Arduino boards and steel tubing. Took a trip to the RC Eliminator Hobby shop. Pretty cool store. Was surprised by the amount of architectural related supplies available. Hardware seems to be still a big issue, where to find the right pieces. Home depot and similar box stores are not enough for custom, or unique hardware pieces. Maybe i will just start ordering online.

New switches for different movement

2007-10-24T23:46:00.001-05:00

Starting adding more switches to the 'hand' device. The tilt switches don't work as well as i would like with the movement of the device, so i might adjust the wheel size to increase the tilting movement of the body, or i have to change the switch. I looked into other types of tilt switches and came across one that uses a few washers, nuts and bolts. The concept works with my circular switch holder/cable tie piece. I just combined two, attached one with two bolts sticking out, stationary on the 'hand' body at the axle. The other disc is on the inside of the oval wheel, with a spring. As the wheel moves forward the disc turns and connects the spring to one of the bolts. When the wheel turns in the opposite direction, the spring connects to the other bolt. The spring disc is friction fitted, not permanent on the wheel, so when the wheel continues to move in one direction the disc stays in position, keeping contact. Tommorrow i will wire it up and see how well it really works.

Details

2007-10-23T19:02:00.001-05:00

Before our web chat with TML, i worked on getting the transparent switches to work with the 'turtle' arm and make some kind of random movement. Before it didn't work so well because of the weight of the switch was too much for the arm to rotate properly to get the tilt switch in the opposite position to activate. I came up with some quick clips for the switches, and as result they can be used for cable organization within the switches or separate from it. I might modify the design a bit depending on the other applications of the tilt switch itself.

Here is some video of the device working, i apologize for the orientation. The two devices are hooked up to light sensors (motion) now, the hand light sensor was kind of wonky. The 'hand' on the table had some appearance of random movement. It goes back and forth depending on the position of the tilt switch, in relation to the moving arm, and movement in the space around them: someone might have activated or deactivated the devices. For example the 'turtle' might stop and the hand keep going in one direction and when the 'turtle' activates again, the hand changes direction or stops. Definitely not there yet, but there is promise. The next step is to add resistor to the tilt switches to slow down and speed up the motor. I hope to get many more switches integrated into both devices by the weekend, can't wait to see what happens.

Interface with Autism

2007-10-22T23:06:00.000-05:00

Looked into Autism as a study of how people who isolate themselves from the world might interface with the outside world. There seems to be this escape from reality that kids with Autism appear to have. Kids with autism seem to move there bodies in a robot manner similar to Joey the mechanical boy. Some suggest that its easier for people with Autism to imitate a machine then to face the real world and so they choose the easier path. Joey the mechanical boy needed to use mechanical devices to separate himself with the outside world. Like the monster i am presently creating there is still this buffer between the outside world and the monster's 'self'. Something i am trying to understand and dissolve.

What also distinguishes us from robots is the differences in pathology and normal people: can a robot be dysfunctional? The fact that we strive for perfection to make robots is perhaps the problem, maybe we need to produce something capable of pathology that gives the sense of being alive. Perhaps further research can look into these devices that we use as a buffer between us and the outside world.

Here are a couple links:
http://mysonhasautism.blogspot.com/2005/10/whats-wrong-with-computer-metaphor-of.html
http://cultronix.eserver.org/hilary/

Transparent Tilt Switches

2007-10-20T23:24:00.001-05:00

Began to fabricate the tilt switches, came up with a solution for a transparent tilt switch using a plastic tube, springs and metal rod. The goal was to create a switch that took advantage of the one pole contact of the opaque, metal tube tilt switch. Using the spring inside the plastic tube, allows for continuous negative contact and than separate positive contacts on either end. This allows for different results from tilting, such as direction or speed of motor. Still working on a using the switch to control speed, perhaps with a series of resistors on each contact different than the other in the amount. I have included a video to show the result.

The Real Doll

2007-10-18T15:47:00.000-05:00

I watched the film 'Guys and Dolls', which speaks about how the 'real doll' has become more of a companion than a pleasure device for many people. I was interested in some of the behaviors of the men towards the doll. Most of them would dress them, groom them, etc, some would even take there dolls out with them in public. Its kind of creepy how most of these men behave with the doll. One man would take pictures of his dolls with him in natural poses: the photograph makes the dolls come alive. These men seem to have social issues, not all but most. The men remind me of the self involved behavior of the mechanical boy, using a doll as social vice. Its not the movement of the doll, but the lack of it, that seems to reinforce the feeling of control these men so desperately want. These men are not mentally ill, they understand the uncanny nature about the whole thing but it speaks to the idea of interface again.

Synaptic Movement

2007-10-16T22:18:00.000-05:00

Abstract:
The project looks at Automata of the 18th Century and the work of the clock maker Pierre Jacquet-Droz. His Automatons, including others from Vaucanson and Von Kempelen, fulfill a desire to understanding the world in a mechanical way. My initial focus was on the movement of these Writer’s, Drawers and Digesters, and what was it about the actions of these somewhat aesthetically life like figures that evoke such a ‘pleasurable’ response from the public. For me it’s this uncanny movement of the automaton that responds to our psyche. Freud and Jentsch define the uncanny as a response to the unfamiliar, the ‘unhomely’, a fear of the unknown. Freud relates this human response to a human repression of familiar elements of our childhood that are now reintroduced out of context. A human response is seen in public reaction to Descartes’ mechanized doll of his late daughter, and the talking doll of Thomas Edison. The uncanny nature of these examples seems to be related to the spontaneous motion or self-movement that is expressed. The oxford English dictionary defines automaton as “a piece of mechanism having its motive power so concealed that it appears to move spontaneously. In 17-18th c. applied to clocks, watches, etc.

The monster is a working model for acquiring random, self-movement: through the combination of motions of two vivisected devices. Both devices are moving toys, that have been reduced to the simple gear and motor cases that create their movement. Photovoltaic sensors are used to stimulate movement within each device, which stimulates movement between each other. Self-motivated movement is explored through reversing the motor direction of these devices, adding to the variety of motion. The use of tilt switches was introduced, and the fabrication of transparent tilt switches lead to an expression of movement of the circuit. The expression of motion through a chain of events through switches and motors allows for a more self motivated movement: like the blood of an android pumping through its veins. Further exploration will focus on replacing some parts of the body with movement-activated switches, to transfer more of the motion of the devices into the overall movement of the monster. Continued research is looking at the uncanny in relation to psychological case studies like that of Joey the mechanical boy. Joey behaves autistically, like a robot, where he uses mechanical devices to interact with the outside world. Joey is interesting for his discussion about interface, and how we interface with the world. Is there control in our behavior and is their control in the mechanisms that create our movement? Is that what distinguishes us from automata? The motion of the circuit allows for an exploration of this metaphorical nervous system, and how synaptic movement can lead to a voluntary movement evoked by an outside response.

Reactive Movement

2007-10-14T21:45:00.000-05:00

The monster is starting to make an appearance. I have concentrated on this idea of the uncanny Freud was talking about, and in artists like Mike Kelly. The idea i am going with so far for my monster is as follows: a device which reacts to surrounding movement, reacting with movement that causes a chain of random events that may or may not activate other devices. I have taken what is left over from the turtle device, hung it upside down and attached a tilt switch, more to come, to the arm. The idea is that a tilt switch will activate, and hopefully by Tuesday reverse the motor direction of the hand device. I imagine device 1 ( the turtle) hanging from a suspended cable, and moves along its length. The device has exaggerated proportions, through extension in wire, to which tilt switches will be installed. These tilt switches are to be connected to other motors on device 1 and device 2. The battery packs of both devices will also be suspended, and dragged along as device 1 moves. Device two will remain on the floor. I envision a dismemberment of an Automata, where the brain is being dragged along by one element and a detached isolated body part activated by random by audience or device 1. The uncanny relationship between these two hopefully expressed through a random indirect response . Video to follow.

Movement switches

2007-10-12T22:14:00.000-05:00

After discovering the benefit of the mercury switch, or any tilt switch for that matter, i wanted to create my own from scratch. Using ball bearing recovered from a industrial castor, lead holder tubes and some copper wire, i was able to create an okay switch. The problem was the connection between the bearing and the copper wire. I then found some aluminum pipe, 1/8 " diameter, and cut some finishing nails, and achieved the same result. They work, but they do not consistently change to a change in angle. I found this site for homemade switches , check it out:

http://www.makezine.com/blog/archive/2007/07/simple_homemade_tilt_acti.html

Sensing movement

2007-10-11T21:57:00.001-05:00

The appearance of independent, random movement is one direction i want to take my monster. the idea being that movement will be stimulated by other devices and responded with movement from movement. the light sensor circuit achieves a motion sensor element, but how to obtain random, or differentiated movement was still a question i had in mind. I created a circuit, from make magazine site, http://www.make-digital.com/make/vol10/?pg=66&search=555&liid=eb284a0105%20target=&u1=texterity&cookies=1

I was able to use a 555 timer to make a LED blink 5 times a second. I am hoping to use this circuit in some way to differentiate motor movement and/or affect LEDs that will be attached to the monster. After a short discussion with guest crit Jean-Pierre Gauthier, he had suggested mercury switches, or tilt switches to switch the polarity of the motor.

The act of a movement from the monster will either activate another motor, device or reverse the action it is currently in. A more random movement may occur as a result of movement that is activated through movement from the audience or other devices.

Joey: The Mechanical Boy

2007-10-09T21:59:00.000-05:00

Came across an article by Bruno Bettelheim, titled ' Joey: A "Mechanical Boy". Bruno discusses a case history of a boy who suffers from schizophrenia, and behaves like a robot. In fact the boy believed he was a robot, expressed through drawings.

His motions and mannerisms mimic a disjointed mechanical movement. The boy would go as far to uses props like an extension cord to pretend he was plugging himself in while eating. In fact everyday functions like sleeping were not possible unless joey was able to relate his behavior to some mechanical device, such as crafting a apparatus from cardboard. masking tape, wire and other paraphernalia that allows him to live while sleeping. The behavior, traced back to his childhood and lack of emotional fostering from his parents. This is interesting for its comment on what makes us human. As they went through rehabilitation, his behavior became more responsive to his environment. 'The heart of Joey's delusional system was the artificial, mechanical womb he had created and into which he had locked himself. This idea that humans can mimic robots, to the point were people recognize them as robots is interesting. This behavior is described as autistic as well. Autism is characteristic of isolating oneself from the outside world, projecting in ward on to one's self. Like robots, autistic children lack emotional response, lacking human characteristics. Our ability as humans to interact with our environment and respond to complex situations is one part of it. The uncanny nature of a boy robot, who is human, i think is rooted in this idea of unhomely that Freud speaks about in his paper the uncanny. The uncanny emphasizes that which is not native to the situation. A boy should not be a robot, a head should not be mimicking facial expressions because its is not native to that context.

Light Detector Circuit

2007-10-07T22:21:00.000-05:00

Built a motion sensor circuit using a light sensor. The sensor is more sensitive to changes in light than a particular movement or speed. Just need to figure out the differentiator circuit, which will allow a light sensor to change to speed or direcion of a motor. Today i was able to get both devices communicating and responding to each other. The motion circuit activates the turtle, which in turn activates the motors from its own circuit board. Because both devices are hooked up to a relay, once the turtle activates, the hand activates 8 seconds later. Which in turn reactivates the turtle because of the new motion detector circuit recognizing the movement of the hand. A loop is created, the devices almost continue activating off off each other. There timing is a bit off, maybe i need to use the 555 timer. We will see tomorrow.

Uncanny

2007-10-05T20:33:00.000-05:00

After discussions with Patrick, decided the direction for research will focus on this idea of the uncanny, specifically this energy force that seems to exude from Automata. The interaction we as an audience engage in with Automata and 'mechanisms that resemble life', creates a bond, one seen in the Descartes myth, but also in modern devices like the Real Doll. But what is it about this movement, gesture of independence that makes a moving device seem alive. Looking into Freud' discussion about uncanny, discovered some of his theory is based on Ernst Jentsch. Jentsch defines uncanny as the fear of the unfamiliar and it is based on intellectual uncertainty. Freud expands on this, with a psychoanalytic approach. His conclusion is that uncanny is a combination of 1)the act of a repressed childhood experience being revived, reacting in a 'double" or opposite way, where a defense mechanism turns that pleasurable childhood experience into a feared one and 2) a primitive belief, which has been overcome, seems once more to be confirmed. the importance of the definition seems to be this distinction between a childhood view upon Automata, wanted dolls to come to life, and in adult hood, fearing them. Perhaps we learn to recognize or react the uncanny.

My monster will focus on recognition/ response of 'independent- free movement within its surroundings and itself. Movement that mimics the self. Here is a link for a Japanese robotics/ facial expression study, investigating emotion in faces through 19 moving parts of a humanoid.

http://www.reuters.com/news/video/videoStory?videoId
=55538&newsChannel=technologyNews

The Beast- still a work in progress

2007-10-05T03:24:00.000-05:00

Thursday tutorial opened my eyes on the possibilities within our devices. But with that said, my beast is still a work in progress. With recent research directing me toward movement within Automata a catalyst for emotional response within an audience, my focus was to interact by way of sensing movement. My aim is to create a beast which responds to its environment, through it own movement, within its own construct, independent and self motivating. I came across a work by Edward Ihnatowicz, The Senster, a robotic sculpture that principally responded to voice but also responds to movement.

Edward built an oscilloscope from old radar parts, using radar technology to detect movement. Unpredictable behaviour of the audience during its exposition resulted in more sophisticated movement. This relationship between audience and device i important, its alludes to this idea of the response of the environment affecting the behaviour of the sculpture. An adapting behaviour. This relationship between the 'robot' and the 'patrons' reminds me of the same connection an audience has with the Automata of the 18Th century. My own beast i decided would use some particular circuits, a relay circuit and a differentiators circuit, that will utilize light sensors to sense movement around them and between each component. Other devices like timers and potentiometers might be helpful to attribute a more independent behaviour.

So far i have explored and failed miserablly on those two types of circuits i want to layout. in the end of the day i ended up with a relay switch attached to both devices, the hand and the turtle components, where when the turtle is set off the hand will activate within 8 seconds. It might be interesting to create a loop by activating the hand, relaying it to the turtle components which activate the motion sensor of tha hand and continues onward. However i having issues activating the turtle within the relay setup. more work to do.

Automatic Movement

2007-10-02T22:45:00.000-05:00

The word autonomous defined as self governing, independent, subject of its own laws. This prefix auto- (Automaton) refers to 'self or 'ones own'. i wanted to consider this when configuring a beast. Our interaction with Automata create an emotional response within us. We are entertained by this uncanny 'alive' presence within. 18th century fascination seem to get pleasure from this source of entertainment. Is it pleasure of the unknown becoming understood. This idea of Pleasure Automata sparked interest within me. I started reading the 'myth' of Descartes' and his Automata companion. It is speculated that he had a doll, resembling his late daughter, to become companionship for him. The doll mimic natural movement and voices, typical of many Automata of the time. But what is it about us psychologically that draws us towards these devices. Its this uncanny movement,that draws us to the Automata.

http://www.youtube.com/watch?v=u1nxETblSi4&eurl=http%3A%2F%2Ffogonazos%2Eblogspot%2Ecom%2F2007%2F01%2Fwriting%2Dautomaton%2Ehtml

We escape reality for a second to believe that these aesthetically natural yet distinguishably fake devices have a soul, an inner force that has given it self governing, independence. Perhaps there is a fear of the evil mechanisms, in a controlled setting, that we desire unconsiously. I started looking into my two vivisected devices and want to configure a beast that acts on this principles. I noticed that reversing the polarity ( switching the wires) on the motor, reverses the movement. Now if i can create movement within one object to switch another device like i switch the polarity of the motor, perhaps a combinations of random movements will appear as a self governing entity, no longer a slave to its master, but a uncontrollable beast.

Here are some pics of studying the movement of the turtle Automata using LED's to illuminate moving parts:

The uncanny nature of Automata

2007-10-02T01:15:00.001-05:00

Came across the Baron Von Kempelen who created a device that could play chess. The device includes a table/ desk with the chess board and a figure dressed as a turk seated behind the chess board. Yet, the space below was used to house a person who would guide the chess player, pretty much playing the match.

This was interesting because this false automation attracted many who wanted to pay to see a 'machine play chess'. The 'chess player' challenges this belief that the human intellect can not be simulated. The weekly standards article 'The dream of Mechanical Life' describes this essence as cognito, the thinking essence of being human. There is a reference to Freud's idea of the uncanny. The uncanny being something unknown, usually related to fear. The Chess Player provokes suspicion, and questions this idea of intelligence in Automata, or can this Automated devices in fact become human like. This act of thinking as Descartes asserts as the essence of being, is not present yet appears to be in these devices. Like the writer and the musician of Jaquet-Droz. Freud uses this word uncanny to help explain the feeling we have towards these devices that we know are not real but behave so naturally that they resemble their muse. There seems to be something uncanny in puppets, ventriliquists and Automata. The creep factor perhaps is a fear of the unknown, a fear that certain objects could be alive.

Automata- more sources in the 18th Century

2007-09-30T16:31:00.000-05:00

Started looking further into Pierre Jacquet-Droz and came across more precedent for Automata in the 18th century. Friedrich von Knauss was another who created a animated 'writer', and earlier than Jacquet-Droz. Although a cruder version, Knauss went on to produce three other 'writers'.

Upon looking through this time during the 1700's, more and more examples of these Automata seem to appear. During this time there appears to be a fascination with mechanics, rightfully so since current philosophical thinking looked at the worked in a mechanical view, understanding humans and animals like they were machines. Combined with growing industrial technology there became a demand for these devices. Other examples were devices like a duck that digest and deficates and the transverse flute player, a study in human breathing.

A common thread from these works is the craftsman/ inventor understanding and experience in watchmaking. Clock mechanics is abundant in these works.

During this time, these Automata were used as entertainment pieces, some on traveling shows which amazed their audiences but also satisfied this need to better understand the world around us. In fact some of these devices were produced to better understand scientifically animals and humans. But there seems to be something else in mind, the uncanny nature of these devices. We know they are not real but they seems to mimic natural movement or sound. Its as if these devices are soulless, lacking any core entity and merely a slave to their master.

Vivisection # 2- Halloween hand

2007-09-26T21:56:00.000-05:00

The last couple of days i carried out the hand vivisection. The hand is another toy made from Gemmy industries, creating simple movements to appear 'alive' and creepy.

After getting the 'skin' off, i noticed a simple layout of the mechanics, one motor driving a gear box that displaces movement to the 'fingers and to the underside of the wrist: oval wheels to help with movement.

Once the frame has been separated from the gear box, the remaining entity resembles a bug of some kind, with attennae pulling itself across a table.

The motion sensor is what i am currently working on. I had some troubled removing it and then noticed that the motion sensor has less sensitivity when out of its 'hole. Perhaps the cylindrical enclosure creates shadows which the sensor reacts to.

The creap factor

2007-09-25T18:13:00.000-05:00

Continuing to look at the turtle as a robot and brought it back to life. Trying to understand better the components of movement and how they might relate to one another. I rebuilt some of the turtle, isolate certain gesturing devices.

I found another source of automaton, Jacquet Droz, and his draftsman, lady musician and the writer from 1772. It amazes me the animated life of these automata, like Dedalus, Jacquet Droz is able to bring this ‘dolls to life with a series of complicated mechanisms within that mimic a natural movement. The complexity if the mechanics translates to a very random, alive response to the audience. Like the turtle, that evokes a natural movement with a combination of simple gestures on their own, these Automata come to life due to this movement. Jacquet Droz seems to have taken it further with his Automata, take for instance the draftsman, which draws four different kind of drawings, but during his drawing process, pauses and blows the dust of his drawing. A little creapy if you ask me. In fact the Automata contains cams, which are interchangeable elements to the machine that allows it to be programmed to allow for different outputs, like a drawing or a picture. Here is a link of the writer, the eyes in the end creep me out.

http://www.youtube.com/watch?v=u1nxETblSi4

Here is another creepy link of other Automata, Dolls that move, and especially their eyes, is too much for me. I think I might have nightmares now.

http://www.youtube.com/watch?v=3-sdt3qtcB8&NR=1

Operation a success, I think

2007-09-24T03:32:00.000-05:00

After many hours under the knife i am happy to say the turtle is unrecognizable. I have included some further pics of the vivisection, including the final spread of parts. The movement of the turtle was particularly interesting, the 'torso of the robot' has a mechanism that mimics a car piston, to produce the up down movement of the turtle.

The above photo is the lower motor mechanism, responsible for the turtle's twisting action.
Here is the head, linked to the upper motor gear box.
The upper motor controls the majority of movement, from arms, head and up and down motion.

Day 2 of Funky Turtle under the knife

2007-09-23T01:28:00.001-05:00

Today was quite productive. The beast within has finally revealed itself. It was a painstaking process. I discovered it has underwear,. Well at least that is what one of the fabrics sinched around its waist with a cable tie, reminded me of. Who knew cable ties were used.I found it interesting that the structure within seems to have its own personality, something that appeared as i activated the turtle without its shell. It kind of resembles a marching band conductor. I prefer the 'turtle' without the shell, its seems to be more fitting with the music.
Here is a video of the beast.

http://www.youtube.com/watch?v=NWhgTJyXEOo

Day 1 of Vivisection

2007-09-23T01:22:00.000-05:00

Friday was a slow to start. Started to peel of the layers of fabric. These plush toys seems to have a multitude of layers ,it seems endless. Was able to take of the head and shell today. Here are some pics of the operation. The face laid out is my favorite. Hopeful by day two i will see the beast within.

Vivisection # 1 Candidate

2007-09-20T23:33:00.000-05:00

The funky dancing turtle will be the first patient.
I am particularlily intrigued in its movement, curious to see the skeleton beneath the skin. I am reminded of the scene in terminator when the skin is peeled back to reveal the metal exoskeleton beneath. Perhaps within the dancing turtle an alien structure will emerge. Cant wait.
I noticed the 'Funky Dancing Turtle is a toy built from Gemmy Industries Inc., the makers of "Big Mouth Billy bass" an animatronic device that clamied some fame on TV.

I came across a work from Heron Alexandrinus, a mathmatician, physicist and Engineer from 10 to 70 AD Greece. Here is a reconstruction of Heron's Automata 'Hercules and the dragon" from Giovanni Battista Aleoti 1589. Perhaps there is a longer history to these 'automata' then i thought.

Can't wait to break them open

2007-09-19T18:55:00.001-05:00

After the hunt at Value Village and my storage room, I found 5 'objects' that I found mentally stimulating,

Object 1 - Alarm Clock

Sony Dream Machine

stimulus >snooze, tuning controls

response > music or loud buzz sound
A clock radio from 10 years ago, cant believe i still had that. I found it interesting its called the dream machine, when in fact it would cut my dreams short.

Object 2 - Keyboard

Yamaha

stimulus >Demo mode, equalizer

response > sound

Maybe I can learn how to play piano at the same time.

Object 3 - Musical/Animated Plush Toy

Turtle

stimulus >Activated by button on foot

response >Movement/Music

I particularly get a kick out of this one, not only for a good laugh but i am interested in what makes this thing dance better than I do.

Object 4 - Preschool Interactive toy

'Ball'

stimulus > button within center

response > multi coloured lights illuminate

Although a very simple toy, it could have some interesting guts to its assembly.

Object 5 - Halloween Decoration

Severed hand

stimulus > motion/sound or push button

response >finger movement/ crawling action

The motion/ sound stimulus has me curious. Something i might pursue down the road.So here is to exploring the wonderful world of electronics.